Monday, December 22, 2008

Having spent the majority of the weekend either recovering from a monumental hangover or trying not to emulate Rod Hull's dying moments while attempting to capture two different satellites on the same dish (I gave up on Hotbird 13E, as there's nothing of interest on it save for the odd Arabic test card and the surreal experience that is Tele Padre Pio - finally I managed to get the whole thing into a position where both Astra satellites came in loud and clear), we're now playing catch-up.

So, for what would have been Saturday's offering, have another end credit, this time from Morecambe & Wise's 1976 Christmas show. This is, apparently, the only picture in existence of the boys with producer Ernest Maxin (the frantic pace of rehearsal and production left nary enough time for even a snapshot), and even then, Maxin is obscured. Perhaps they thought he was too handsome to share the limelight with them. Bunging this fine picture on here gives me a chance to alert your attention to the latest issue of the very fine Kettering which contains a piece by me on how video tape rescued the Christmas TV schedules, and a splendid dissertation on Sunday night ITV comedies by that nice Mr Norman, among other treats.

In Sunday's window, we find one of the obscurer idents from the 2002-2006 BBC1 'Rhythm and Movement' package, while for Monday, we return to 1993 for an edition of The Late Show about the new ITV contractors. The production credit for the programme was in the style of the idents used at the time by Carlton in London.

3 comments:

office pest said...

Hello LB, why is it called Kettering? I know the big K has intrinsic comedy value and has had the odd name check in Yes Minister etc. but is there another reason?

LF Barfe said...

Do you know, OP, I haven't a bloody clue. Mind you, have you ever been there?

office pest said...

Yes I know it well. In fact I am sitting at work in it right now!